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Strange animal welcomes guests «kleinezeitung.at



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The dragon's figure is snorting with a water vapor at the entrance to Kunsthaus. The summer exhibition of the German sculptor Thomas Schütte opens.

06.00 hours, July 12, 2019

"Dragon" before the Kunsthaus Bregenz © (c) Markus Tretter

This is a monster between the giraffe, the tapir, the walrus and the horse, and the water vapor penetrates from its nostrils – bronze sculpture The Third Animal (2018) Kunsthaus Bregenz welcomes its visitors in the front room impressively and "invariably" this year's exhibition. German sculptor Thomas Schutte shows its full versatility in Bregenz from July 13 to October 6.

The "animal," one of four, emerged from the modeling of clay figures that he made for his children and re-opened in a box after a long time, the artist said at a press conference on Thursday. In addition, two more monumental bronzes, such as heroic men, whose feet are immersed in dirt, are installed around the CUB. "It does not work without ironic refraction, though: do not joke in the pedestrian zone," said Schütte. Reading left the Schütte audience, it's a game: "It should stay in the suspension, it's your job to suggest how to read it."

"Man Without Face" at Cornmarktplatz: It's not a joke to walk on foot, Schutte finds Photo © (c) Marcus Treter

False heroes

Male figures can be found on a smaller scale on Kunsthaus's third floor, accompanied by three bronze figures "The Man in the Wind," whose heroism also seems to be stinging. "They are shaking by the wind, like all of us," added Schutte. For this Schütte presented watercolor portraits "Blues Men" (2018), for which the artist painted pictures from the screen of the PC. For Schütte, the tension was "that a three-minute drawing can compete with a six-ton ​​sculpture." But with "light things," you need to take care of so much more that you do not "slip into nothingness."

Exhibit view on the ground floor Photo © (c) Marcus Treter

The exhibition was "built as a shelf," says KUB director Thomas D. Trummer, who presented an exhibition with Schütte in a tree-red, red-painted "library" (2014/17) on the ground floor, reminiscent of a Trojan horse in its shape, with a roof like an inverted boat. The presence of a chimney in the KUB is a "very special moment". The exhibition was full of energy and created a huge impression.

View on the first floor Photo © (c) Marcus Treter

Counterfeit flags

Ceramic and Murano glassheads, woodcuts "Woodcuts", created in 2011, and ceramic "Fake Flags", which, according to Schütte, have been exhibited for the first time, are also on display. One interpretation, the artist refused here: the glaze of national flags therefore looks contaminated, because "I have not laughed my brush since I laughed." "False banners" – is a combination of female sculptures made of aluminum, steel and bronze. On the one hand they looked erotic, but also vulnerable, distorted, amputated Torsi, so the director of KUB Trummer. "They are a little uncomfortable with me," the artist says. Women were "created as if out of me".

These figures, based on clay models, served as the basis for the Schütte collection in its sculptural hall in Noisy (North Rhine-Westphalia), which can be considered as a model on the second floor with subsequent architectural models of the artist, initially a "replacement of sculptures." This is the only one of its models, realized so far. In the basement there is his collection, Schütte. Care for a camp is a way not to be forgotten after death. Because the work shown in Bregenz came almost from the depot in Neuss, and an exhibition like this is also financially viable, explained Schutte, born in 1954, who also showed the design of his own tomb, which arose in the early 1980s .

Schütte also expressed his respect for the crafts in Bregenz. The material never caused him any problems, because he always put good people who realized his intentions. A good craft is becoming smaller and smaller. Many galleries are no longer production workshops today, "this is different here," Schütte praised the Kunsthaus Bregenz. The design of the exhibition in KUB was very easy for him, "because it is sacred places, sacred fields," it is necessary "to put practically only a soda jar in the middle." Answering a question about future projects, the artist explained that he wanted to pursue watercolors, poetry and drawing in particular: "Everything goes well, only poetry for the moment is too short."


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