There are no intermediate posts in the Gaspar Noe movies. Its creations are ecstasy and euphoria, different touring trips, people that cover one or the other, come out of the other side – in a narrow corridor, dark tunnel or a completely different world – with essential experiences, often misunderstandings. Many drugs, even more sex, share violence and nihilism, such as the first "Lonely Against All" or the "Unstoppable" scandal. Both of these films still qualify as the leading French.
There is "Climax" as it is already The title suggests, no exception. Gaspar Noé may be deep: an inventive or enthusiastic device? In fact, it has never made a bad movie or even mediocre.